It's been awhile since I've posted here. Maybe you've followed me on my Instagram or Twitter accounts (@drlisachu) where I've been posting my daily art practice. If not, I'm here to let you know that TODAY is the first day of my Yosemite series, which will appear for the next twelve weekdays, each day at 10:00am Pacific Time, on my Wild Tomato Arts blog. I recently spent twelve days in Yosemite National Park, six days backpacking and six days as a volunteer with Yosemite Conservancy. I have traveled to Yosemite every year for the past six years. Five out of those six have included both volunteering and backpacking. Back in 2014, my volunteering trip coincided with my 50|50 Art project, making 50 small works of art in 50 days for a group show at Sanchez Art Center. This year, I created 46 sketches or pieces of art in 12 days, and I am sharing all of them, along with mini stories from the trip, in twelve, bite-sized chunks. Go over to Wild Tomato Arts "New and Fresh" page for all the latest blog posts, starting TODAY! You can sign up to receive the posts via email. And at the end of the twelve weekday posts, I will post all 46 pieces, without text, in one project on the front page of Wild Tomato Arts. Come with me and enjoy the illustrated journey in one of our nation's treasures.
John Muir Laws, a naturalist, educator, and artist who inspires stewardship of the land by sharing his practice of nature sketching. When I read these words, I began to see the importance of my own art practice in developing sustained, compassionate attention for myself. I have noticed, in just a few years of deliberately making art daily, that my well of self-compassion has grown wider and deeper. And gradually, my capacity for compassion toward others -- even the ones it would be easy to judge or dismiss quickly -- has become more of a habit. Continue readingOne way to define love is "sustained, compassionate attention". These words came from
I recently returned from a week-long stay in Keystone, Colorado. I documented my journey in daily sketches created in a Moleskine Japanese album (small size). My tools were Pigma Micron ink pens, Faber Castell Pitt Artist pen, Kuretake Clean Color Real Brush markers, Derwent watercolour pencils, Sakura Koi field sketch watercolor set, and Kuretake waterbrushes. First, the SFO airport. There was an exhibit on Art Deco and I loved the patterns, colors, and shapes in it. Since I had a couple of hours to wait for my delayed flight, I started sketching and painting.I went back to photograph the original pieces that had inspired my memory. Then I looked over my shoulder to see that a large watercolor mural had been placed high up, near the ceiling. I copied the quote on the painting and general feeling of it. Then I noticed the number of billboards in this terminal devoted to issues of network security and cyber attacks. I captured this by placing three of the ones I remembered together. On my flight I read two magazines I never usually read. One had Amy Poehler on the cover as one of the "100 Most Creative People In Business". The other had a headline and article I will never forget (much as I would like to), entitled, "Why Die?". It describes the efforts of PayPal co-founder Peter Thiel's multi-billion-dollar venture fund's investments in biotech. He is focused on "eradicating death" from human experience, envisioning a future in which this "disturbing inconvenience" is made obsolete. I road Colorado Mountain Express shuttle from the Denver airport to Keystone. I captured a few quick sketches of what that ride is like. Flat flat flat, then you're in the Front Range, with walls on either side and endless ranges unfolding in front of you. Continue reading
Since leaving medicine, I’ve been an entrepreneur and an independent artist. They are similar pursuits, and both have taught me about the experience of living in creative rather than reactive mode. How do you know if you’re living in reactive mode? If you define and measure yourself based on external circumstances, and you believe you really are limited by what’s happening outside yourself, you are in reactive mode. Most of our institutions, including the education system, government, mass media, and the medical training system, are based on the reactive mode. These systems teach you to believe that your success is measured by your ability to manipulate external circumstances, so your attention and efforts should be focused on external metrics. You compare your performance to others on a so-called objective scale, and you rely on statistics to know how you are doing. There is nothing “wrong” with reactive mode. It is the way most of the systems in our society operate. Creative mode requires a 180-degree shift in this perspective. Continue reading
It has been fourteen years since I graduated from University of Michigan Medical School. I have journeyed far from the field of medicine, and yet my heart keeps hearing the call to return to my physician communities and share what I have learned. I simply cannot ignore my sense that the pain within our health care system - now felt at every level, including patients, physicians, and payors - is a resounding call to wake us up to our next stage of evolution. It takes only a cursory scanning of the headlines of medical blogs like this one to get a sense for the unrest, the frustration, and the abundance of innovative practices emerging as a result of the rising sense of powerlessness among doctors. I left medicine immediately after receiving my MD, moving into uncharted waters after the Dean of Career Development at Michigan told me, "You're on your own. We can't help you with that." This was when, as a fourth year student, I announced I would be pursuing a career in venture capital. I volunteered at a private equity investment firm - yes, I worked for no pay - and six weeks later, I was hired as an Associate. Within two years I was the youngest partner-level Investment Manager in the firm. No one told me this was possible. I simply would not accept anyone else's opinion of what I could or could not do. Especially after what I witnessed in my world of medical training. One of my most vivid memories was on my Vascular Surgery rotation, where I was absolutely loving the concept of what we were doing - as intellectual masturbation material. But in practice, what I saw was my future laid out in the following scenarios. The second year resident, sick as a dog, showed up to work anyway, and, too weak to stand, lay down on a gurney in the OR while a case was going on. The third year vascular surgery fellow, a gentile Southern man, was in the middle of a lower extremity bypass graft and stepped out of the room. He lifted his mask, vomited into the scrub sink, and then reentered the OR to continue the procedure. This happened two more times within the same procedure before he completed. Many of you reading this may be nodding and saying, "Yup. That's just the way it is. Suck it up or leave it." And my question is, "If you have trained yourself not to feel, what else might you be missing in your experience of other people?". Continue reading
In the weeks since returning from Boulder, I've been spending more time with the idea of the Unique Self teaching of Marc Gafni and the Center for Integral Wisdom. For me it was deeply integrating to hear a story that finally enabled me to bring together both the parts of me I had discovered and cultivated during the last five years - namely, wordless presence, connection with the Oneness, and recognition of egoless identity - and the parts of myself I had "divorced" from - namely, the rules of classical training, the linear reductionist thinking of mechanical science, and the ignoring of subjective experience. How refreshing to hear someone say, "You can't meditate your ego away. You can't meditate your story away." This was part of my experience as a meditation practitioner! I wanted to put certain chapters in the past, as "the way I used to be", believing that in order to become who I knew myself to be - both creative and spiritual - I needed to forget who I once was. No matter how many relationships I walked away from, no matter how many new practices I adopted, no matter how many new communities I joined, I could not completely ignore my prior experience and stories, and the curiosity I felt about bringing my new learning back to my old communities. I could not pretend they were not in me. Oh, I tried. But I never felt complete in my expression, or full in my generosity of sharing. It was as if there were problems I knew existed, in distant parts of the world, that I was deliberately ignoring for the sake of elevating myself beyond them, transcending them by trying not to pay attention to them anymore. I kept my eyes forward, visioning my ideal life over and over again. And still I felt there was a connection I was not making. The image of my Unique Self "plugging in" to the infinite mesh of the One via a radically unique shape - not just a generic plug into a generic outlet, but a unique contour fitting in like a puzzle piece perfectly matching in every subtle turn of form - is supporting me to integrate all of my stories, all of my prior and current experiences, and to show up as me. I am now opening my vision to include all the parts of me I would rather hide and avoid, the parts I would rather not have you see, AND embracing my brilliance and light and infinite creativity at a level previously unrecognized....not as opposing sides of a coin, but as different and equally essential points on the same sphere of my wholeness. So what makes YOU unique? What are the points that constitute the unique shape of your piece of the mighty jigsaw puzzle of all that is? The invitation of our times is to hold this paradox: what you think you are is not who you really are, and exactly who you are is all you need to be. When you show up as all of exactly who you are, you heal, transform, and create a world in the way that only you can.
It's been a BIG few weeks for me. I've been away from my desk, discovering more of my tribe, in places I never thought to look. Experiencing the feeling of coming home to myself, my story, and my place in the evolution of all that is. I trusted the feeling of just knowing (without knowing why or how), and I was rewarded beyond my wildest imagination. Three weeks ago I attended a four-day event like no other in Boulder, Colorado. Called Success 3.0 Summit, this was a gathering of entrepreneurs, CEOs, authors, spiritual leaders, artists, musicians, doctors, coaches, healers, and other thought leaders for the purpose of rewriting the myth of success in our culture. Success 1.0 was survival. Physical survival at the most basic level. Success 2.0 was the accumulation of wealth, status, achievements, and symbols of power at any cost, even at the expense of health, relationships, and well-being. Success 3.0, as we are co-creating it to be, is the awakening to the fact that we can no longer operate as if our individual actions have no effect on the collective. We must wake up to the reality that we are all interconnected, and that we have both the capacity to destroy ourselves as a species and the infinite possibility of expanding our consciousness to include the whole cosmos in our own evolution. Summarized in six words, Success 3.0 is a call to "Wake Up, Grow Up, Show Up." Wake up to our true identities not as separate beings, but as expressions of the oneness of all that is. Grow up to take responsibility for our actions as part of a larger whole, beyond our egoic concerns, beyond even our immediate family or tribe or community, but to include the entire cosmos as an extension of our sphere of influence. Show up as a leader by expressing our own unique gifts, standing fully in the truth of our unique life experiences and stories. For me, the conference was profoundly integrating of the many chapters of my life experience that had previously appeared separate or unrelated. I now see that every single world I have lived in - from the suburban middle class neighborhood of my hometown in Libertyville, Illinois, to the halls of the Ivy League, to the training of medical school, to the partnership track in a venture capital firm, to solo entrepreneurship in Silicon Valley, to the experience of burnout, to transitioning from classical music to improvisation, to performing acoustic rock violin, to training as a life coach, to traveling to Southeast Asia to study bodywork, to becoming an artist - informs my perspective wherever I show up. My ability to listen deeply across multiple disciplines, and my unrelenting vision of possibilities, is my unique gift to any situation I am in. I am a weaver and collage maker, drawing threads from seemingly disparate elements and incorporating them into a new tapestry with every interaction I have. I am a living expression of the evolutionary impulse, coming through me, existing in me, and experienced by me. And so are you! Within your unique set of life experiences and stories is the unique expression of life as you - and only you - can express it. When you choose to wake up, grow up, show up, you enter into the process of co-creating, with the evolutionary impulse of all that is, your unique definition of Success 3.0. I'm excited to continue showing up in new ways, to start conversations about what really matters, and to continue bringing my unique art into the world. Is it time for you to upgrade and update your definition of Success? Join me in the conversation.
I am in a large group of women artists who have driven up to the ridge of a mountain range and then down a very windy road to a secluded artists retreat program in northern California. All I want to do is stare at the dreamy landscape, watching how the golden green hills go back and back and back, disappearing finally into a fog bank which hovers just above the sea in the distance. I want to watch as the wind blows, the fog clears, and the misty outlines of the hilltops begin to glisten in the midday sunlight. I want to sit and sketch it, and fill in the colors I am seeing, and try to capture the dreaminess, the haziness of it all, the lack of precise outlines which gives it that quality of mystery that makes me want to keep staring. But we have a schedule. There are ranchers and herders moving us along in this schedule, ensuring that we are on time. I help myself to a large lunch - two servings each of lentil soup and kale salad with some fruit on the side. My idea of a perfect meal. But my stomach feels slightly full after all that, and I am ready to rest and digest. Having forgotten the schedule momentarily, I’m jarred when it is announced that we now need to move into another room for a “movement activity”. Continue reading
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