John Muir Laws, a naturalist, educator, and artist who inspires stewardship of the land by sharing his practice of nature sketching. When I read these words, I began to see the importance of my own art practice in developing sustained, compassionate attention for myself. I have noticed, in just a few years of deliberately making art daily, that my well of self-compassion has grown wider and deeper. And gradually, my capacity for compassion toward others -- even the ones it would be easy to judge or dismiss quickly -- has become more of a habit. Continue readingOne way to define love is "sustained, compassionate attention". These words came from
Fear has been up for me lately. I'm stepping into new unknowns and therefore a new level of courage is required. And in order to function, I've woken up to a new way of greeting fear. Instead of trying to beat it down, or conquer it, which both contain the quality of resistance, I practiced this: "It's OK, fear. Come on in. You are welcome here. Sit down at my table." The subtle practice here is being with, but not believing in, or becoming consumed by, the guest at my table. Just loving my guest - fear - exactly as it is. Not "falling in love with" it, but being OK with it. More importantly, feeling OK with it being there. Not trying to change it in any way. This is entirely new for me. Only when I actually heard the words "it's OK" did I realize how much resistance I had felt towards fear. I never said to my fear, "It's OK." Two simple, comforting words that were not an automatic response in my internal dialog. I like to "get over" things, conquer them, put them behind me, become better at them. But simply and sincerely saying, "It's OK", had never occurred to me. I played with "It's OK" two nights ago before going to bed. Instead of trying to talk myself out of the fear I was feeling, I repeated, "It's OK." I made it OK that I couldn't get rid of my fear. I made it OK that fear was what I felt. I made everything about me in that moment OK. And I really meant it. I woke up the next morning feeling noticeably different. More relaxed. More at ease. Without effort. Later that day I saw three new books being released by bestselling authors with "Fear" in the title. Martha Beck and Deepak Chopra are doing an event called, "Turning Fear into Fuel". Lissa Rankin's new book is called "The Fear Cure". And Elizabeth Gilbert's fall release is subtitled, "Creative Living Beyond Fear". Apparently I am not the only one for whom "fear is up". It's the subject of a larger conversation. It seems the collective call is to look at our relationship with fear, and create a new way to dance. When we choose to step into new territory, or when life hands us an unknown, fear will come knocking on our door. We can respond with the automatic arsenal of fight, freeze, or avoid. We can fight fear with fear. Or we can greet fear with love. Whichever we choose, "It's OK."
Since leaving medicine, I’ve been an entrepreneur and an independent artist. They are similar pursuits, and both have taught me about the experience of living in creative rather than reactive mode. How do you know if you’re living in reactive mode? If you define and measure yourself based on external circumstances, and you believe you really are limited by what’s happening outside yourself, you are in reactive mode. Most of our institutions, including the education system, government, mass media, and the medical training system, are based on the reactive mode. These systems teach you to believe that your success is measured by your ability to manipulate external circumstances, so your attention and efforts should be focused on external metrics. You compare your performance to others on a so-called objective scale, and you rely on statistics to know how you are doing. There is nothing “wrong” with reactive mode. It is the way most of the systems in our society operate. Creative mode requires a 180-degree shift in this perspective. Continue reading
There is a scene in the movie, The Matrix, in which the main character Neo is offered a choice between the “red pill” and the “blue pill”.
This is your last chance. After this, there is no turning back. You take the blue pill—the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill—you stay in Wonderland, and I show you how deep the rabbit hole goes. Remember: all I'm offering is the truth. Nothing more.Does it excite you to imagine discovering how deep the rabbit hole goes? Or do you notice a resistance toward leaving the comfort of your current reality? In the movie, “truth” at first appears as a chilling image of the planet taken over by machines, living off the energy of human beings who are lying unconscious inside jars of gelatinous solvent. Towards the end of the film, it is love received from his beloved which finally wakes Neo up to the reality of his own illusion. That he has believed in everything within the Matrix, and through that belief he has created his own truth. With new eyes touched by love, he sees everything as it actually is: a construct of his own consciousness, where elements take on only the meaning he assigns to them. Awakening to choice - realizing in any moment that you have a choice - is a moment of connecting to your creative power. Notice that your power to choose always resides inside you. You choose whether to activate your own power by choosing to choose. No one, no thing, no place, no circumstance outside you can, without your consent, take your power away. You may have been taught to give your power away in the past. Forgive yourself and choose now to be your own power. The most powerful choice you have is to awaken to the love that you are. Survival and “getting through life” may have hardened you to this truth. You may have learned to protect your core from fully receiving what you feel. By protecting yourself from what you feel, you have denied yourself love. You have refused to shine the light of love on certain aspects of your experience, while insisting on exposing only the so-called acceptable parts. When you encounter a situation that brings you close to touching what you feel, do you stay or do you run? Continue reading
I am in a large group of women artists who have driven up to the ridge of a mountain range and then down a very windy road to a secluded artists retreat program in northern California. All I want to do is stare at the dreamy landscape, watching how the golden green hills go back and back and back, disappearing finally into a fog bank which hovers just above the sea in the distance. I want to watch as the wind blows, the fog clears, and the misty outlines of the hilltops begin to glisten in the midday sunlight. I want to sit and sketch it, and fill in the colors I am seeing, and try to capture the dreaminess, the haziness of it all, the lack of precise outlines which gives it that quality of mystery that makes me want to keep staring. But we have a schedule. There are ranchers and herders moving us along in this schedule, ensuring that we are on time. I help myself to a large lunch - two servings each of lentil soup and kale salad with some fruit on the side. My idea of a perfect meal. But my stomach feels slightly full after all that, and I am ready to rest and digest. Having forgotten the schedule momentarily, I’m jarred when it is announced that we now need to move into another room for a “movement activity”. Continue reading
The stories from the E-Squared Book Club are just too good not to share! We discussed the results from Experiments 1 and 2 this week, and when we met at Quarry Park by the labyrinth, we did Experiment 3 together. And can I just say "WHOA!". Since I have the unique position of being with both in-person and phone groups, I just have to share what's happening with everyone. Continue reading
I am a recovering perfectionist. I’ve been practicing various antidotes to perfectionism quite consciously for about three years now. That makes me – the real me, the innocently imperfect me – about three years old. I’m walking, I’m talking, I’m eating with my plastic miniature utensils, insisting that I’m a big girl now. But the real big girl in the house – the house of my mind, my body, and my soul – is Miss Perfectionist. She is the one who grew up inside my house, the house of me. She became the big one without my knowing it. She got all the praise, all the money, all the polite smiling conversations at cocktail parties, all the “wow”s and “ooh”s and “aah”s, all the framed diplomas and plaques on the wall. She was surrounded by people she kept at an arm’s length distance, so they wouldn’t touch anything close to her. She thought she liked it that way. She thought she preferred it that way, because her attention could be focused on making her hair perfect, her face perfect, her nails perfect, her shoes perfect, her outfits perfect, anything that would attract the attention of perfection praisers, which seemed to be everywhere. Miss Perfectionist was so busy doing the things she defined as perfection – which always involved something other than the way things were – that she ignored the real me, who by the way, happened to own the house the whole time. Continue reading
The air is thick with the scent of lavender, heavy with the warmth of bodies at rest. A single strand of white lights twists, dances, curls along the floor where it meets the rising wall, hinting at the outer boundary of the otherwise darkened room. I rise from a state of complete rest, quiet inside my body, after a Restorative Yoga class with John. I am curious about what sounds I will invite into the already perfect silence and stillness enveloping me. I set up my sacred space, an altar to my joy, my circle of support, my ability to love and to transform, to play and to create. Continue reading